CALL FOR NEW AMMO MEMBERS
Hello LA-based theater makers: playwrights, designers, producers, actors, arts administrators, intimacy and fight directors, marketers, puppeteers, publicists, graphic designers, and more!
Ammunition Theatre Company (AMMO) is seeking passionate, multi-hyphenated artists and arts administrators to join the company.
Ammunition Theatre Company presents a workshop reading of Aja Houston's new play HERe directed by Melissa Coleman-Reed.
May 25, 2024 @ 3pm
Thymele Arts
California Room
5481 Santa Monica Blvd
Los Angeles, CA 90029
HERe by Aja Houston is a fantastical pilgrimage through The Black Grimm Forest, a national park that magically borders all fifty states, where time teeters between now and once upon a time. Riva, a well-to-do woman unraveled by an unseen tragedy, seeks refuge in The Black Grimm. Riva's path collides with Her, a mysterious free spirit, on her own crusade through the forest.
Support Our Artistry: Pay What You Can at the Door
Your support fuels the creativity of our artists and helps their vision to life. We believe in making theater accessible to all, so we've introduced a pay-what-you-can donation scale. Here are the options:
Free: For those facing financial constraints
$5-$10: Helps us covers some costs of the workshop
$20: Generously supports our commitment toward fair compensation for our artists
$50: Makes a significant impact toward the development and future premiere of this beautiful new play!
No matter what you decide to give, your contribution and presence matters. We look forward to sharing this play at this stage in its journey toward a PREMIERE with you! Thank you!
THIS MONDAY !
Ammunition Theatre presents a Stage Reading of Monuments on March 25, 2024 @ 7pm
MONUMENTS
by A’raelle Flynn-Bolden
Dir. Celia Mandela Rivera
MONDAY MARCH 25TH @ 7PM
BOSTON COURT PASADENA - THE MARJORIE BRANSON PERFORMANCE SPACE
70 N MENTOR AVE
PASADENA, CA 91106
$5 SUGGESTED DONATION / PLEASE RSVP
MONUMENTS is a 3 part play that champions care and community in the face of unyielding oppression. The play puts us in the room with Lucy, Anarcha and Betsey, three enslaved Black women who endured un-anesthetized experimentation at the hands of the “father” of gynecology, J. Marion Sims. The play inverts the legacy of of Sims and illuminates the neglected history of the largely unnamed multitude of Black women whose pain shaped the foundation of modern medicine.